b. 157
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composition: Op. 43, Tarantella
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In A the c1-e1 third at the beginning of b.153 (and 161, marked as repeat) is not dotted. The corresponding b. 149 (157) is indecipherable in the charred manuscript; there is no legitimate reason to differentiate them. The augmentation dots in place in FC3 (→FE→IE), GE and EE may well have been added by the copyist, who must have assumed the Chopin had omitted them (as in A Chopin indeed had a few of omissions). category imprint: Interpretations within context; Differences between sources; Editorial revisions |
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b. 157
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composition: Op. 43, Tarantella
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category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 157
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composition: Op. 43, Tarantella category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 157
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composition: Op. 38, Ballade in F major
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The lack of sempre forte nad marcato indications results certainly from an oversight by the engraver of FE. He omitted all verbal indications in the line comprising bars 156-160. category imprint: Differences between sources issues: Errors in FE |
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b. 157
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composition: Op. 26 No 2, Polonaise in E♭ minor
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As in bar 53 the absence of in FE (→GE,EE) is most probably a result of the engraver's inattention. category imprint: Differences between sources issues: Errors in FE |