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b. 156-157
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composition: Op. 38, Ballade in F major
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The lack of slur under the bass progression results most likely from an oversight of the copyist in GC (→GE) and the engraver of EE. category imprint: Differences between sources |
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b. 156
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composition: Op. 38, Ballade in F major
category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE |
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b. 156
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composition: Op. 22, Polonaise
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FE (→GE1) are lacking in the naturals before the a1 and a2 demisemiquavers. The latter was added in EE, whereas both – in GE2 (→GE3). category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies |
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b. 156-157
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composition: Op. 22, Polonaise
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It is difficult to assume that Chopin could have imagined a different articulation for this pair of the L.H. octaves. It was already obvious to the revisers of both GE and EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 156-157
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composition: Op. 23, Ballade in G minor
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It seems that the accents – as many other markings – were overlooked by the engraver of FE. However, to respect the image of the text of FE, carefully proofread by Chopin, in the main text we suggest them in a variant form, in brackets. category imprint: Differences between sources issues: Errors in FE |
