



Issues : Terzverschreibung error
b. 14
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composition: Op. 11, Concerto in E minor, Mvt II
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The version of GE is most probably a result of a Terzverschreibung error, perhaps repeated after FE, in which it was then corrected – it could be proved by various print faults in FE around this place. Chopin would often use this kind of grace notes in the octave texture – cf. e.g. the Concerto in F minor, op. 21, the 1st mov., bars 149-150, the Etude in B minor, op. 25, no. 11, bar 47 or Allegro de Concert, op. 46, bar 103 and 146. category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error |
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b. 23
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composition: Op. 11, Concerto in E minor, Mvt II
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The traces of changes to print, visible in FE, prove that the grace note was initially printed – most probably by mistake – at the pitch of f category imprint: Source & stylistic information issues: Terzverschreibung error , Authentic corrections of FE |
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b. 73
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composition: Op. 11, Concerto in E minor, Mvt II
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FE feature an erroneous f category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Terzverschreibung error , GE revisions , Annotations in FES , Annotations in FEH |
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b. 82
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composition: Op. 11, Concerto in E minor, Mvt II
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In GE1 (→GE2), there is an erroneous f category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
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b. 103
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composition: Op. 11, Concerto in E minor, Mvt II
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The version of GE is almost certainly a Terzverschreibung mistake, probably committed in FE, in which Chopin, however, corrected it in the last phase of proofreading. Taking into account the traces of corrections, a similar mistake was committed and corrected in FE also in the last figure in the previous bar. category imprint: Differences between sources issues: Terzverschreibung error , Authentic corrections of FE , Errors repeated in GE |