



b. 106
|
composition: Op. 38, Ballade in F major
..
In A category imprint: Differences between sources issues: Inaccuracies in FE , EE inaccuracies , Inaccuracies in GC |
||||||
b. 106
|
composition: Op. 38, Ballade in F major
..
Due to an oversight, in FE1 there is no upper part of the L.H. in the 2nd half of bar 106. The part was completed in FE2, yet without the category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE , FE revisions |
||||||
b. 106
|
composition: Op. 25 No 10, Etude in B minor
..
FE has F category imprint: Differences between sources; Corrections & alterations issues: Enharmonic corrections , Authentic corrections in GC |
||||||
b. 106-108
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
The lack of pedal signs in FE in bars 106-108 is certainly a mistake. The markings – pedalling and also L.H. slurs – are omitted up to the end of the page (till bar 110). All the remaining editions supplemented the pedalling with a category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions |
||||||
b. 106
|
composition: Op. 64 No 2, Waltz in C♯ minor
..
Same as in bar 42, the triad version of the majority of the editions, reproducing – perhaps inaccurately – the difficult to decipher notation of A, is, according to us, most probably erroneous. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Errors in GE , GE revisions |