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b. 129-131
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Same as in bars 121-123, the category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 129-131
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Same as in bars 121-123, in GC in the part of the left hand only the top notes of the octaves are written (except for the last two in bar 131). The bottom ones were marked in an abbreviated manner with the help of the con 8va - - - indication. category imprint: Differences between sources issues: Abbreviated octaves' notation |
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b. 129
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composition: Op. 35, Sonata in B♭ minor, Mvt I category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 129
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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GC has no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in GC |
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b. 129-160
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composition: Op. 64 No 2, Waltz in C♯ minor
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In As and AI the presence of these bars does not result from the notation – the Waltz ends in bar 128. In A bars 129-152 are not written out with notes, but only marked in an abbreviated manner (with subsequent letters) as a repetition of bars 1-24. At the same time, Chopin overlooked the 'N' letter, corresponding to bar 13 (141); this patent mistake either did not confuse the engraver of FE (→GE,EE) or it was cleverly corrected. category imprint: Differences between sources; Source & stylistic information issues: Errors of A |
in 
-b
before the 2nd quaver, which is most probably an oversight of the copyist. The mistake was corrected in