



b. 106
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The accent under the 1st note of the bar in A should, in our opinion, be considered a long one. In GE it was reproduced as a short accent, which is hardly surprising in this case. In FE (→EE1→EE2) the mark was omitted, probably by accident. It reappeared in EE3. category imprint: Differences between sources; Editorial revisions issues: Long accents , EE revisions , Errors in FE |
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b. 106
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composition: Op. 24 No. 4, Mazurka in B♭ minor
category imprint: Differences between sources issues: EE inaccuracies |
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b. 106
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composition: Op. 24 No. 4, Mazurka in B♭ minor category imprint: Differences between sources; Editorial revisions |
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b. 106-108
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composition: Op. 39, Scherzo in C♯ minor
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On the basis of extant sources it is difficult to determine whether Chopin wanted to have long or short accents here. In GC, the accents are quite large, yet clearly shorter than those appearing earlier, in bars 92-96 and 99-102. Moving the accents between the staves in GE makes us think that also in EE the accent placement does not necessarily match the notation of the manuscript that served as the base text for it. Lack of any accent in bar 107 in FE is definitely an error. category imprint: Differences between sources issues: Long accents , Inaccuracies in FE , GE revisions |
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b. 106
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composition: Op. 38, Ballade in F major
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In the main text we give the version of FE2 (→FE3), corrected by Chopin. However, it is not clear whether the composer's resignation from the version of A was final at the time of performing this correction, as the proofreading concerned a slightly different, undoubtedly erroneous version of FE1. The interpretation of A is also uncertain – the tie sustaining g category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Deletions in A , Authentic corrections of FE |