mUltimate Chopin

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 129-130

composition: Op. 38, Ballade in F major

Crotchet c tied in A (→FE,GC→GE)

c repeated in bar 130 in EE
..

The version of EE may be an ordinary oversight of the dot and the tie prolonging the c crotchet, although a revision cannot be excluded, e.g. omission of the tie due to the missing dot. GC (→GE) is also lacking the dot, which is a patent mistake in the face of the tie.

category imprint: Interpretations within context; Differences between sources

issues: Errors in EE , GE revisions , Errors of GC , Errors repeated in GE

b. 129

composition: Op. 31, Scherzo in B♭ minor

Staccato dot in A (→#FCG)

Wedge in FE (→EE)
..

It seems unlikely that the wedge in FE (→EE) could reflect Chopin's intention: A clearly features a dot both in this bar and in analog. b. 261.

category imprint: Differences between sources

issues: Inaccuracies in FE

b. 129-130

composition: Op. 22, Polonaise

Horizontal accents in FE (→GE)

Vertical accents in EE
..

The change of the font of accents to vertical is a typical mannerism of EE.

category imprint: Differences between sources

issues: EE revisions

b. 129

composition: Op. 22, Polonaise

..

In EE1 the L.H. octave on the 2nd beat of the bar is an E-e. The patent mistake was corrected in EE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in EE , Terzverschreibung error

b. 129

composition: Op. 22, Polonaise

..

In the main text we add cautionary naturals before g3 and g.

category imprint: Editorial revisions