b. 128
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composition: Op. 11, Concerto in E minor, Mvt III
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In the face of the marks in analogous bars 129, 132 and 133, the missing dynamic indication in the first appearance of this passage must be considered an inaccuracy (perhaps caused by the central position of the mark). category imprint: Editorial revisions |
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b. 128
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing staccato mark must be considered here an inaccuracy of notation – cf. the three further analogous bars (bars 132, 136 and 140). category imprint: Editorial revisions |
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b. 128
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE (→GE1→GE2), there are two digits under the first two semiquavers, 1 and 3. The latter may be considered to be a fingering digit or a triplet marking, since in those editions both were engraved in the same font. However, the former seems to be much more likely:
Taking into account the above, we interpret the number three as fingering, like it was already done in EE. The absence of the digit in GE3 may be a mistake. category imprint: Differences between sources |
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b. 128
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composition: Op. 11, Concerto in E minor, Mvt III
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The triplet marking is our addition. category imprint: Interpretations within context; Editorial revisions |
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b. 128-129
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |