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b. 105-107

composition: Op. 29, Impromptu in A♭ major

 
 
 
..

In FE and EE the fingering given in analogous bars 23-25 (in FE in bar 107 there is one more digit than in bar 25) was repeated. It may suggest that in the manuscript base texts for those editions the 3rd part of the piece was marked in an abbreviated form as the repetition of the first one.

category imprint: Differences between sources

b. 105

composition: Op. 24 No. 4, Mazurka in B♭ minor

An accent in A (→GE2→GE3)

 in GE1 (→FE)

An accent in EE
..

The accent on the 2nd crotchet of the L.H. visible in A was misinterpreted in GE1 (→FE) as short hairpins . The proper form of that mark was restored in GE2 (→GE3). EE also has that accent, but moved under the stave.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE

b. 105

composition: Op. 24 No. 4, Mazurka in B♭ minor

 under the L.H.  in A (→GE1→FE→EE)

 between the staves in GE2 (→GE3)
..

The indication  is placed under the 3rd crotchet of the L.H. in A (→GE1→FE→EE). In GE2 (→GE3) it was moved and placed between the staves. 

category imprint: Differences between sources

issues: GE revisions

b. 105

composition: Op. 24 No. 4, Mazurka in B♭ minor

No  in A (→GE1→FE)

 in EE and GE2 (→GE3)
..

In A (→GE1→FE), the asterisk  is missing, which must be considered a mistake in that context. We add  at the end of the bar in accordance with the original pedalling of the analogous bar 43. An identical addition was already made in EE and GE2 (→GE3).

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , GE revisions , Errors of A

b. 105

composition: Op. 39, Scherzo in C♯ minor

..

In FE and EE  is placed before d sharp1. This obvious error may have been caused by the imprecise notation of the autograph.

category imprint: Differences between sources

issues: Errors in FE , Errors in EE , Terzverschreibung error