b. 128-129
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we add cautionary flats before e1. category imprint: Editorial revisions |
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b. 128-130
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composition: Op. 21, Concerto in F minor, Mvt I
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In the main text we give the slur of A, marking the range of the phrase, with a characteristic ending indicating a necessity of an accurate hold of the last long note (slur-tenuto). Two whole-bar slurs of GE (→FE, repeated inaccurately in EE) deprived the Chopin slurring of all nuances. GE2 generally restored the Chopin slur (without the extended "tenuto" ending). category imprint: Differences between sources issues: Errors in GE , GE revisions , EE inaccuracies , Tenuto slurs |
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b. 128-129
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composition: Op. 21, Concerto in F minor, Mvt III
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Ending the slur before the last note of this passage in unison is certainly an inaccuracy. Both changes to which the slur of A was subject in GE1 are deformations typical of the engraver of this edition – dividing a long slur and adjusting it to metric structures. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 128
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Omission of current key accidentals , FE revisions , Inaccuracies in A |
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b. 128
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composition: Op. 11, Concerto in E minor, Mvt III
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According to us, a comparison with the dynamic markings in analogous bars 132, 136 and 140 points to an inaccurate placement of the mark in the majority of the sources. The reason could have been the fact that [A] used a convention of placing indications within their scope of validity, and not at the beginning. Therefore, in the main text we include the shift of the mark adopted in GE3. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Centrally placed marks |