|
b. 128
|
composition: Op. 35, Sonata in B♭ minor, Mvt I
..
GC and FE do not include naturals before the top notes of the last two octaves in the R.H. Chopin's patent inaccuracy was corrected in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals |
||||||||
|
b. 128-129
|
composition: Op. 35, Sonata in B♭ minor, Mvt II
..
The slightly inaccurate beginning of the slur of GC was certainly misinterpreted in GE as embracing entire bar 128. In FE the slurs were most probably overlooked, until bar 143. In the main text, we give the slur of EE, most probably added by Chopin in the base text to this edition. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Inaccuracies in GE , Inaccuracies in GC , Authentic corrections of EE |
||||||||
|
b. 128
|
composition: Op. 64 No 2, Waltz in C♯ minor
..
The c category imprint: Differences between sources issues: GE revisions |
||||||||
|
b. 128
|
composition: Op. 21, Concerto in F minor, Mvt I
..
In A there is no accidental before the 2nd crotchet of the middle voice. It is certainly an oversight – d2 was already at the beginning of the 2nd half of the previous bar, suggesting a modulation to E category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of GE , Last key signature sign |
||||||||
|
b. 128
|
composition: Op. 21, Concerto in F minor, Mvt I
..
The fingering in FED was written probably by Chopin. category imprint: Differences between sources |
1 note, added to the authentic sixth on the 2nd beat of the bar, is an arbitrary addition of 
major (the suggestion is even clearer in an analogous phrase in bars 
