Issues : Annotations in FES

b. 16

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 18-19

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FED & FES

Fingering written into FEH

No teaching fingering

..

Apart from the 1 digit over the last quaver in bar 18, the entry in FEH includes one more mark, which is difficult to interpret, since it may be a sharp or a slur. According to us, its placement suggests that it was supposed to combine that quaver with the minim in bar 19, which would practically indicate the same fingering as in the two remaining pupils' copies. See the adjacent note on the slur.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Annotations in FEH

b. 20

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 23

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES, probable reading

No fingering in FE (→GE)

Fingering in EE

category imprint: Graphic ambiguousness; Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 25

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

No teaching fingering

..

The meaning of the vertical line added in FES is not entirely clear; however, it is most likely a fingering digit.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES