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b. 103-120

composition: Op. 64 No 2, Waltz in C♯ minor

in As, 1st version

in As, 2nd version

in AI & A (→FEGE,EE)

..

In As bars 103-104 are a repetition of bars 39-40, as a result of which they also have two versions. The same applies to bars 119-120, not written out in As.

category imprint: Differences between sources

b. 103-119

composition: Op. 64 No 2, Waltz in C♯ minor

f-b in As & AI

Rest in A (→FEGE,EE)

category imprint: Differences between sources

b. 103-104

composition: Op. 21, Concerto in F minor, Mvt I

2 slurs in A

1 slur in GE (→FEEE)

..

The continuous slur of the editions is a result of the proofreading of slurring performed in GE1. However, the visible traces let us state that the version of A was not corrected; it is also uncertain whether all slurs in GE1 were proofread by Chopin. Due to this reason, in the main text we preserve the notation of A in which the slurs overlap at the beginning of bar 104. The continuous slur may be considered an equal variant.

category imprint: Differences between sources

issues: Inaccuracies in GE , Authentic corrections of GE

b. 103

composition: Op. 21, Concerto in F minor, Mvt III

..

FE has an erroneous das the last quaver. EE corrected this patent mistake.

category imprint: Differences between sources

issues: EE revisions , Errors in FE

b. 103

composition: Op. 11, Concerto in E minor, Mvt II

g2 in FE (→EE)

b2 in GE

..

The version of GE is almost certainly a Terzverschreibung mistake, probably committed in FE, in which Chopin, however, corrected it in the last phase of proofreading. Taking into account the traces of corrections, a similar mistake was committed and corrected in FE also in the last figure in the previous bar. 

category imprint: Differences between sources

issues: Terzverschreibung error , Authentic corrections of FE , Errors repeated in GE