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b. 101
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composition: Op. 12, Variations in B♭ major
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The lack of a L.H. slur in FE (→GE) is probably an oversight, so we add it in the main text, as was done in EE. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 102
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composition: Op. 29, Impromptu in A♭ major
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The sources differ slightly in the range of the crescendo hairpins whose beginning is placed under the 3rd (A), 2nd (FE) or 4th (FE) quaver. We adopt the notation of A (→GE). category imprint: Differences between sources issues: Scope of dynamic hairpins |
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b. 102
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composition: Op. 43, Tarantella
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In A the initial b in LH in b. 86 (and corresponding bars 102 and 134, where in the manuscripts repetition of this phrase is not written out with notes) is notated slightly too low and becomes A category imprint: Differences between sources issues: Inaccurate note pitch in A |
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b. 102-104
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composition: Op. 24 No. 2, Mazurka in C major
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In bars 102-103, the sources have two different versions of the R.H. part. In A (→GE) the text almost entirely follows the version found in analogous bars 18-19 and 50-51, the only difference being the presence of the staccato sign on the 2nd beat of bar 103 – a wedge in A, a dot in GE. When correcting FE (→EE), Chopin varied the last repetition of that phrase filling both bars with uniform quaver movement. Cf. bar 98. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
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b. 102
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The absence of an accent in A (→GE1→FE→EE) seems to be the result of Chopin's oversight; this finds confirmation in the fact that accents are present in the corresponding bars of the other repetitions of that phrase, as well as in analogous bars 100 and 104. A short accent was added in GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
three times in 
