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b. 122
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composition: Op. 44, Polonaise in F♯ minor
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Naturals instead of flats before the last demisemiquaver (in both hands) is probably a mistake of the engraver of GE1, repeated in GE2. In turn, in EE we can assume a revision, since an analogous version with c notes is also in b. 98 there. category imprint: Differences between sources issues: EE revisions , Errors in EE , Errors in GE |
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b. 122
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composition: WN 29, Waltz in E minor
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As in bar 18, the missing staccato dot in this bar is probably an oversight by Chopin – cf. bar 114. GE added the dot most probably by analogy with bar 114 (or by mistake – in analogous bars 18 and 50 no dots were added). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 122
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composition: WN 29, Waltz in E minor
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The missing slur in PE is one of a few defects in this fragment of the Waltz (see bar 115). In the main text we add a slur, as it was performed in GE. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Errors in PE |
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b. 123
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composition: Op. 43, Tarantella
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In A the dyed on the first beat of RH is made up of crotchets without augmentation dots. Compare annotation in b. 4. category imprint: Differences between sources |
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b. 123
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composition: Op. 43, Tarantella
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In A the c1-c2 octave on the second beat in RH is not dotted. In the remaining sources an augmentation dot was added. Compare annotation in b. 4. category imprint: Differences between sources |
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