mUltimate Chopin

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 102

composition: Op. 24 No. 4, Mazurka in B♭ minor

A dot in A (→GE2→GE3)

No dot in GE1 (→FE→EE)
..

In A, Chopin entered a staccato dot on the 2nd beat of the bar, quite far from the note it was meant to refer to; this was probably why the dot was omitted from GE1 (→FE→EE). It was supplemented in GE2 (→GE3).

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 102

composition: WN 17, Polonaise in B♭ major

No markings in JC & PE

Pedalling in EF
..

category imprint: Differences between sources

b. 102

composition: WN 17, Polonaise in B♭ major

..

In the sources there is no  before a1 (in the case of JC and PE it concerns bar 66, repeated here as bar 102). It is related to a different range of the octave sign at the beginning of the bar: the second semiquaver triplet is still embraced by it, which makes that the  at the pitch of a1 (in the notation) appears already before the 6th semiquaver of the bar.

category imprint: Source & stylistic information

issues: Accidentals in different octaves

b. 102

composition: WN 17, Polonaise in B♭ major

No marking in JC & PE

 in EF
..

category imprint: Differences between sources

b. 102

composition: WN 17, Polonaise in B♭ major

No markings in JC

 in EF

dimin. in PE
..

category imprint: Differences between sources