mUltimate Chopin

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b. 101

composition: Op. 30 No. 4, Mazurka in C# minor

C in FC (→GE)

Chord in FE (→EE)
..

In the main text we give the FC (→GE) version, entered by Chopin instead of the crossed-out chord, preserved in FE (→EE). Chopin's correction also included the addition of  and of the pedalling and the extension of the R.H. slur.

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FC

b. 101

composition: Op. 30 No. 4, Mazurka in C# minor

in FC & GE2

No marking in FE (→EE) & GE1
..

 was added to FC by Chopin. At the same time, it can be seen that he probably initially started writing , which he then turned to 'f' from . The result was a little bit clumsy, which is a possible reason why this indication was omitted by GE1 (it was added in GE2).
See the note below.

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Errors in GE

b. 101-103

composition: Op. 30 No. 4, Mazurka in C# minor

Long accents in FC

Short accent in b. 101 in FE (→EE)

Short accents in GE
..

Instead of the short accent in bar 101, which is present in FC (in Fontana's hand) and FE (→EE), Chopin entered into FC two long accents in bars 101 and 103 (deleting the Fontana accent in bar 101). We include this change in the main text. We consider both accents in GE to be short, although the one in bar 101 is slightly longer than the remaining ones on this page. This difference certainly was not regarded as significant by the persons reading the Mazurka text.

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations; Source & stylistic information

issues: Long accents

b. 101-104

composition: Op. 30 No. 4, Mazurka in C# minor

Pedalling in FC (→GE)

No markings in FE (→EE)
..

In the main text, in bars 101 and 109 we include the pedalling entered by Chopin into FC (→GE).

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FC

b. 101

composition: Op. 49, Fantaisie in F minor

cresc. at beginning of bar in A (→GE)

cresc. mid-bar in FE (→EE)
..

The fact that in FE (→EE) the crescendo begins slightly later could be of an accidental nature or could mean that Chopin added the indication twice – once in A and once in [FC] or while proofreading FE1.

category imprint: Differences between sources