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b. 7
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composition: WN 55, Waltz in F minor
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PE, as the only source, has a different grouping of quavers in the R.H. - it is not confirmed by the preserved autographs. category imprint: Differences between sources; Editorial revisions |
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b. 7-8
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composition: WN 55, Waltz in F minor
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In F, the lowest voice in the L.H. descends until B category imprint: Interpretations within context; Differences between sources |
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b. 7
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composition: WN 55, Waltz in F minor
category imprint: Differences between sources |
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b. 7
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composition: Op. 43, Tarantella
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In GE1, most probably due to an inaccuracy there is no category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE |
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b. 7-8
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composition: Op. 43, Tarantella
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Slurs in GE and EE are certainly imprecise. This may have resulted from unclear notation of slurs in Fontana’s copies serving as the basis for these editions (where e.g. b. 7 was the last in the first line of the text. However, the way slurs are noted in A leaves no room for doubt as for Chopin’s intention in this place. category imprint: Differences between sources issues: EE revisions , GE revisions , Inaccuracies in FC |
1. The stylistic authenticity of such a solution is questionable - it is continued neither in the next phrase nor in the further course of the piece. Enhancing or lowering the bass line was one of Fontana's most frequent interferences in the works by Chopin he edited.
