mUltimate Chopin

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b. 7-8

composition: Op. 10 No 9, Etude in F minor

 in AI

 cresc. in A (→FE→GE,EE)
..

The indications of AI do not take into consideration the relations of this bar – agogic and dynamic – with the next bar and subsequent phrase.

category imprint: Differences between sources

b. 7-11

composition: Op. 10 No 9, Etude in F minor

Staccato dots in AI & FE (→GE,EE)

No marks in A
..

The incomplete staccato indications in A were added in a proofreading of FE (→GE,EE). What is interesting is the fact that all dots are also in AI. 

category imprint: Differences between sources

issues: Authentic corrections of FE , Inaccuracies in A

b. 7-8

composition: Op. 10 No 10, Etude in A♭ major

..

The natural raising a1 to a1 in bar 7 and the  returning d1 in bar 8, omitted in A, were added in a proofreading of FE (→GE,EE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , Omissions to cancel alteration , Authentic corrections of FE , Inaccuracies in A

b. 7-8

composition: Op. 10 No 10, Etude in A♭ major

No fingering in A (→FE→GE)

Fingering in EE
..

The fingering added by Fontana in EE naturally follows from the figurations.

category imprint: Differences between sources

issues: EE revisions

b. 7-8

composition: Op. 10 No 10, Etude in A♭ major

Crotchets in A

Quavers in FE (→GE,EE)
..

Lack of extensions of c1 and b in FE (→GE,EE), written in A in bars 7 and 8, is most probably an oversight of the engraver.

category imprint: Differences between sources

issues: Inaccuracies in FE