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b. 6-16
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composition: (Op. 4), Sonata in C minor, Mvt II
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In the sources, at the beginning of bar 6, there is a double bar line provided with category imprint: Differences between sources; Editorial revisions; Source & stylistic information issues: EE revisions , Errors in EE , Abbreviated notation of A , FE revisions |
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b. 7
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composition: Op. 29, Impromptu in A♭ major
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In FE the mordent's sign was probably omitted. What is puzzling is the fact that there is no relevant entry in pupils' copies (e.g. in bar 21 Chopin added the omitted sign to FES and FEJ). category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 7
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composition: Op. 29, Impromptu in A♭ major
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The crescendo hairpins differ slightly in their range. In comparison with A (→GE), in FE the hairpins are extended on the entire penultimate triplet group. In EE they are totally absent (cf. remark concerning bars 7-9). category imprint: Differences between sources issues: Scope of dynamic hairpins |
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b. 7-9
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composition: Op. 29, Impromptu in A♭ major
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EE is lacking dynamic indications. It must be an omission, as it concerns the entire line of the text. category imprint: Differences between sources issues: Errors in EE |
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b. 7
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composition: Op. 29, Impromptu in A♭ major
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A, FE and EE are lacking in the natural raising d category imprint: Differences between sources; Editorial revisions issues: Accidentals in different octaves |
marks, indicating the place from which the first period of the Minuet should be repeated after bar 37. Chopin did not write bars 38-48 but wrote Dal Segno al Fine at the end of bar 37, directing us to bars 6-16. We reproduce this shorthand notation only in the graphic transcription (the version "transcript").
3 to d3. The sign was added in