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b. 232-235
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the form of the accompaniment is much simpler. In b. 232-233 it consists of two crotchets (bass and chord) and rests. In b. 234-235 there are crotchets only following the bass-chord-chord scheme, whereby both bars are almost exclusively based on a B major chord (it is only on the 3rd beat of b. 234 that an E major chord appears). category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 234
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composition: Op. 44, Polonaise in F♯ minor
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Chopin added here dotted rhythm while proofreading FE1. The quavers in GE may be the initial version of this and previous, analogous bars (b. 171, 175 and 228), overlooked by Chopin at the time of performing corrections. Two quavers occurring in this passage in AImaz corroborate this hypothesis. category imprint: Differences between sources |
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b. 236
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 239-240
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the bass sequence is placed an octave higher than in the final version, in which the interval of a tenth between the bass and the bottom notes of the R.H. chords is also kept in b. 180-181. category imprint: Corrections & alterations; Source & stylistic information issues: Bass register changes |
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b. 239-240
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composition: Op. 44, Polonaise in F♯ minor
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The absence of the L.H. slur is probably due to an oversight by the engraver of EE. category imprint: Differences between sources issues: Errors in EE |
before a1. In 
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1-e1 third.
