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b. 228-230
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the bass line is led an octave higher – f category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Bass register changes |
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b. 228-230
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the harmonic filling in b. 228 – crotchet on the 2nd beat of the bar – is written down as a minim. In b. 229 on the 3rd beat of the bar there is a crotchet instead of a L.H. rest. In b. 230 the L.H. part rhythm is the same as in the final version in b. 171, while in the R.H. part a1 is repeated on the 3rd beat of the bar. category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 229
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composition: Op. 44, Polonaise in F♯ minor
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On the 2nd beat of the bar AImaz features an f category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 230
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composition: Op. 44, Polonaise in F♯ minor
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The semiquaver beam to c category imprint: Interpretations within context; Differences between sources issues: Errors in EE |
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b. 232-235
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the R.H. part includes only the top voice melody; moreover, it differs from the final version in two places:
There are also minor rhythmic differences – see b. 220-242. category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Main-line changes |
-B-e.