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b. 225-226
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composition: Op. 44, Polonaise in F♯ minor
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The change of rhythm on the 1st beats of these bars, introduced by EE2 and totally arbitrary, was meant to make them resemble the version of analogous b. 166-167. The decision to revise the text could have been influenced by the erroneous semiquaver beam printed in EE1 next to the 2nd R.H. quaver in b. 225. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE |
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b. 226
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composition: Op. 44, Polonaise in F♯ minor category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , Errors repeated in EE |
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b. 226-227
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composition: Op. 44, Polonaise in F♯ minor
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The initial version of the 3rd beat of b. 226 and of entire b. 227 written down in AImaz as well as the changes introduced to it are discussed in the note to b. 168. category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Main-line changes |
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b. 227-228
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composition: Op. 44, Polonaise in F♯ minor
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In FE b. 227 closes the line, while the ending of the slur clearly suggests that it should be continued, which is not confirmed by the slur in b. 228, which begins from the 1st note. We interpret it as separate slurs, which is compliant with the notation of GE and which was interpreted as such in EE, based on FE. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in FE , Uncertain slur continuation |
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b. 228
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we add cautionary naturals before e1 and e2. category imprint: Editorial revisions |
in 
in 
raising g1 to g
1 in