Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 44, Polonaise in F♯ minor
In AImaz the form of the accompaniment is much simpler. In b. 232-233 it consists of two crotchets (bass and chord) and rests. In b. 234-235 there are crotchets only following the bass-chord-chord scheme, whereby both bars are almost exclusively based on a B major chord (it is only on the 3rd beat of b. 234 that an E major chord appears).
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Accompaniment changes
notation: Pitch
