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b. 109-111
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composition: Op. 44, Polonaise in F♯ minor
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The absence of the phrase mark over the second part of the phrase is most probably an oversight suggesting that [A] could have had two phrase marks in b. 107-110, like in analogous b. 31-34. However, it is only speculation, hence in the main text we give the unequivocal four-bar phrase mark of FE (→EE). category imprint: Differences between sources issues: Errors in GE |
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b. 109
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composition: Op. 44, Polonaise in F♯ minor
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Taking into account the probably inaccurate notation of arpeggios in similar bars (cf. b. 33 and 55, in which there are no marks in GE), we assume that it is likely that the arpeggio mark was overlooked here; hence in the main text we suggest supplementing the notation of the sources. category imprint: Editorial revisions |
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b. 110
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composition: Op. 44, Polonaise in F♯ minor
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A comparison with analogous b. 34, 60 and 293 suggests that the ending of the trill could have been overlooked here (perhaps by Chopin himself). Due to the above reason, we suggest a suitable addition in the main text. category imprint: Editorial revisions |
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b. 111-112
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composition: Op. 44, Polonaise in F♯ minor
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According to us, the long accents of FE could have resulted from an incorrect interpretation of the handwritten marks by the engraver. Therefore, in the main text we accept the interpretation of EE. The missing accents in GE are most probably Chopin's or the engraver's inadvertence. category imprint: Differences between sources issues: Long accents , EE inaccuracies , Authentic corrections of FE |
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b. 111-112
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composition: Op. 44, Polonaise in F♯ minor
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Compared to analogous b. 87-88, in these bars the staccato articulation of the quavers is much less carefully marked in the sources. However, we can be certain that Chopin did not mean a different performance here, as the dots of GE and FE are complementary, since, when combined, they result in the same set of marks as used the first time. The differences, in turn, are most probably a result of inaccuracies of the engravers, the copyist or Chopin himself. category imprint: Differences between sources |
