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b. 113-126
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composition: Op. 44, Polonaise in F♯ minor
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These bars are absent in FE1, since in the only known copy coming from that impression the leaf containing pages nos. 5-6 is missing (including b. 105-168). category imprint: Source & stylistic information issues: Incomplete sources |
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b. 113-126
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composition: Op. 44, Polonaise in F♯ minor
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As before, the L.H. slurs are an arbitrary addition of the revision of GE2 (essentially right yet dispensable). category imprint: Differences between sources issues: GE revisions |
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b. 113-114
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we add cautionary sharps to g category imprint: Editorial revisions |
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b. 113-124
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composition: Op. 44, Polonaise in F♯ minor
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In comparison with b. 83-102, the staccato dots are less carefully marked here (there are many omissions). Unlike there, it concerns GE to a greater extent; however, it does not seem that the differences between the sources and analogous places were something more than mere inaccuracies of notation. Taking into account the above, in the main text we provide all R.H. quavers and semiquavers with dots (except the octaves beginning the bars). category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Errors in EE , Errors in GE , GE revisions |
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b. 114-124
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composition: Op. 44, Polonaise in F♯ minor
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The staccato dots under the L.H. quavers are an arbitrary addition of the engraver of GE2. This time – unlike in b. 87-100 – the procedure was limited to the groups of three quavers at the end of the bars with even numbers (apart from that a dot was added only on the 2nd beat of b. 117). category imprint: Differences between sources issues: GE revisions |
(2) and f
