b. 99
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composition: Op. 44, Polonaise in F♯ minor
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We add cautionary naturals before d-d1 and e-e1 in the main text. category imprint: Editorial revisions |
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b. 100
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composition: Op. 44, Polonaise in F♯ minor
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The g note instead of a in FE1 (→EE1) must be a mistake of the engraver, corrected in subsequent impressions of both editions. category imprint: Differences between sources issues: EE revisions , Errors in FE , Errors in EE , FE revisions |
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b. 101-102
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composition: Op. 44, Polonaise in F♯ minor
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The missing accents in GE1 must be an oversight by the engraver – the marks in the last line of this section were overlooked. It is also in the case of FE (→EE) that an oversight seems to be the most likely reason the accent in b. 102 was omitted. Therefore, in the main text we give an accent in b. 101 after FE and suggest adding it in b. 102. category imprint: Differences between sources issues: GE revisions |
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b. 103-104
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composition: Op. 44, Polonaise in F♯ minor
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In FE1 there are no sharps raising d1 to d1 in the L.H. part. The oversight (patent in this context) was corrected in FE2 and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , FE revisions |
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b. 104-106
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composition: Op. 44, Polonaise in F♯ minor
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In FE the slur at the end of b. 104, which ends the page, indicates that it should be continued in the next bar. It is confirmed by the slur of FE2 in b. 105-106 (in FE1 the page containing those bars is missing); however, in EE the slurs are separated here. A possible explanation for this discrepancy could have been an oversight of the slur in b. 105-106 in FE1 – the engraver of EE1 could have considered the ending of the slur in b. 104 (without a continuation) to be inaccurate and could have shortened it, whereas the reviser added a slur in b. 105-106 later on, adjusting it to the already printed preceding slur. For this reason, we retain the slur in FE1 unfinished in bars 105-106. category imprint: Differences between sources issues: EE revisions |