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b. 8
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composition: Op. 24 No. 3, Mazurka in A♭ major
..
In AI, there are no pedal marks here. In practice it certainly means that the pedalling given before in analogous bar 4 should be used (this kind of economic notation is not an exception in Chopin's music, cf. e.g. Impromptu in A category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 8
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composition: Op. 24 No. 3, Mazurka in A♭ major
..
AI does not have a staccato dot for A flat, although a dot is present in the analogous bar 4. A (→GE→FE→EE) all have staccato here. Similarly in bar 32. category imprint: Differences between sources |
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b. 8
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composition: Op. 24 No. 3, Mazurka in A♭ major category imprint: Differences between sources issues: GE revisions , Cautionary accidentals |
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b. 9-10
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composition: Op. 24 No. 3, Mazurka in A♭ major
..
The first slur, encompassing the triplet, is written inaccurately in A, patently shifted to the left. This resulted in its earlier beginnig in GE1 (→FE→EE). The correct interpretation of the sign, in keeping with the analogous bars 5-6 as well as 29-30 and 33-34, was introduced in GE2. AI has different slurs here, as in bars 5-6. We propose the longer one as an alternative to the slurring in A. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Inaccurate slurs in A |
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b. 9
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composition: Op. 24 No. 3, Mazurka in A♭ major category imprint: Differences between sources issues: Errors in GE |
Op. 29, bars 1-2, 5-6 & 19-20). 
