mUltimate Chopin

Op. 11, Concerto in E minor, Mvt III

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 379-380

composition: Op. 11, Concerto in E minor, Mvt III

No slur in FE (→GE)
..

The slur in EE was most probably added after the slur featured in the analogous situation four bars earlier. It would be justified if it were not for the fact that the slur in bars 375-376 could be inaccurate. 

category imprint: Differences between sources

issues: EE revisions

b. 379

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

In the main text, we include these 5 digits from the fingering written in FEH that could have been written by Chopin (the 6th digit is written by a foreign hand).

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 379

composition: Op. 11, Concerto in E minor, Mvt III

Fingering (5) written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 379

composition: Op. 11, Concerto in E minor, Mvt III

..

In the main text, we omit the  before the 4th semiquaver (d2), unnecessarily repeated in FE (→EE,GE1→GE2). Moreover, we add cautionary sharps before the C-c​​​​​​​ octave (cf. bar 375). Both changes were introduced already in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Cautionary accidentals

b. 380

composition: Op. 11, Concerto in E minor, Mvt III

No marks in FE (→GE,EE)

Tenuto in FED

Our variant suggestion
..

Chopin would use tenuto dashes in exceptional situations only – see the Concerto in F Minor​​​​​​​, Op. 21, 2nd mov., bar 18.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED