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b. 376-377
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composition: Op. 11, Concerto in E minor, Mvt III
..
In FE (→GE1→GE2), the only cautionary accidental in these bars is a category imprint: Differences between sources; Editorial revisions issues: Annotations in teaching copies , EE revisions , GE revisions , Cautionary accidentals , Annotations in FEH |
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b. 377
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composition: Op. 11, Concerto in E minor, Mvt III
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According to us, there is a strong likelihood that the version of the sources is erroneous. It is indicated by the dotted rhythm in the analogous phrase in bar 373 as well as in bars 381, 383 and 385. The analysis of the sources of the orchestral part also suggests a mistake in the notation of the rhythm of the L.H. part – see e.g. MFrorch. category imprint: Editorial revisions issues: Dotted or even rhythm |
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b. 377
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we suggest a likely reconstruction of the notation of [A]. However, it is also the sources' literal interpretation of the slur that could correspond to Chopin's intention. category imprint: Editorial revisions issues: Tenuto slurs |
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b. 377
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composition: Op. 11, Concerto in E minor, Mvt III
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Like in bar 373, we consider the missing dot prolonging f2 to be an inaccuracy of notation. Our view was shared already by the revisers of GE and EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 378
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composition: Op. 11, Concerto in E minor, Mvt III
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In FEH, the tied g1 quaver is slashed. It is most probably an additional signal reminding that the note should not be played. category imprint: Source & stylistic information |
before b, the last quaver in bar 377. In 
was added before d
1, and we also add a 
