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b. 373
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE (→GE1→GE2), the missing dot prolonging the c3 crotchet seems to be an inaccuracy of notation, since that note is naturally continued by b2 at the beginning of the next bar. There is no reason (also pianistic) to break the two-part notation. The dot was added already in EE and GE3. There is a similar situation in bar 377. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 374-375
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composition: Op. 11, Concerto in E minor, Mvt III
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Out of the fingering digits written in FEH, we adopt to the main text the group that stands out due to resemblance to Chopin's handwriting. category imprint: Differences between sources |
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b. 374-375
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composition: Op. 11, Concerto in E minor, Mvt III
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The cautionary sharps before the c category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Cautionary accidentals , Annotations in FEH |
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b. 375
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composition: Op. 11, Concerto in E minor, Mvt III
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The missing category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FED , GE revisions , Omission of current key accidentals , Last key signature sign |
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b. 376
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composition: Op. 11, Concerto in E minor, Mvt III
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The two fingering digits in FEH could have been written by Chopin, hence we include them in the main text. category imprint: Differences between sources |