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b. 369-370

composition: Op. 11, Concerto in E minor, Mvt III

F1 tied in FE (→EE,GE1GE2)

F1 repeated in GE3

..

In FE (→GE1GE2), the tie of F1 is present only in bar 169 (at the end of the line). EE corrected the patent defect, whereas GE3 completely omitted the tie, which is probably a mistake. 

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Inaccuracies in FE , Errors in GE , Uncertain slur continuation , Errors repeated in GE

b. 370

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 370

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

..

The finger swap written in FEH reminds of the need for a strict implementation of the tied bass note – see bars 361-363.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 371

composition: Op. 11, Concerto in E minor, Mvt III

..

In FEH, the bottom F minim is crossed out. Like in a few other cases, it is just an additional reminder that the note should not be played and not an actual abandonment of the tie, according to us. Such a transfer of the bass note while preserving a common note is one of the characteristic Chopinesque procedures, c.f. e.g. bars 360-363 i 368-369 as well as the Etude in C Major, Op. 10 No. 1, bars 49-50 and 65-66 or the Fantasy in A Major, Op. 13, bars 114-119.

category imprint: Source & stylistic information

issues: Annotations in teaching copies , Annotations in FEH

b. 372-373

composition: Op. 11, Concerto in E minor, Mvt III

Slur in FE (→EE,GE1GE2)

Slur in GE3

Our suggestion

..

According to us, the varying ranges of the slurs in bars 373 and 377 may result from misunderstanding of the manner of encompassing the full rhythmic value of the last note with a slur ('slurs-tenuto'), used by Chopin on a number of occasions. The slurs visible in FE would be two attempts to adjust such slurs to the notes in the top voice. In the main text, we suggest reconstruction of such a notation in both bars. The slurs were unified also in GE3, which considered the version of bar 373 to be inaccurate. It can be regarded as an alternative attempt to interpret the slurs of FE.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Tenuto slurs