Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 322-326

composition: Op. 11, Concerto in E minor, Mvt III

..

FE has a cautionary  before b3 in bar 322. It must be a mistake – the accidental should have been placed at the pitch of a3. The error was corrected both in GE and EE, both also added an analogous ​​​​​​​ in bar 326.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Cautionary accidentals

b. 323

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 324

composition: Op. 11, Concerto in E minor, Mvt III

..

EE added a cautionary  before f​​​​​​​2, which is, according to us, unnecessary.

category imprint: Differences between sources

issues: EE revisions

b. 326

composition: Op. 11, Concerto in E minor, Mvt III

in FE (→GE)

No sign in GE

..

The missing ​​​​​​​ hairpin in GE, unless it is a mere oversight of the engraver, proves that the mark was added in the last phase of proofreading of FE.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 327-328

composition: Op. 11, Concerto in E minor, Mvt III

​​​​​​​ in FE (→EE)

No marking in GE1 (→GE2)

​​​​​​​ in GE3

..

The missing  in GE suggests that it was added in the last phase of proofreading of FE. In GE3, the absence of the dynamic marking at the beginning of the Tutti was considered a mistake, and ​​​​​​​ was arbitrarily added in bar 327.

category imprint: Differences between sources

issues: GE revisions , Authentic corrections of FE