mUltimate Chopin

Op. 11, Concerto in E minor, Mvt III

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b. 335

composition: Op. 11, Concerto in E minor, Mvt III

Quaver d​​​​​​​1 in FE (→GE1→GE2) & EE3

Crotchet d​​​​​​​1 ​​​​​​​in EE1 (→EE2) & GE3
..

Like in bar 333, prolongation of d1 is unjustified here – the sound result of that procedure is imperceptible when preserving the authentic dynamics.

category imprint: Differences between sources

issues: EE revisions , GE revisions

b. 335-337

composition: Op. 11, Concerto in E minor, Mvt III

No marks in FE (→EE,GE1→GE2)

Staccato dots in GE3
..

GE3 arbitrarily provided the last quaver in bar 335 and the first two in bars 336-337 with staccato dots (in the latter only in the R.H.).

category imprint: Differences between sources

issues: GE revisions

b. 338-339

composition: Op. 11, Concerto in E minor, Mvt III

FE (→EE)

GE
..

The version of GE, contrary to the orchestral part of FEorch (→GEorch) – in the last chord in bar 338, bassoon I, violas, oboe II and flute II do not have a b (in various octaves), but a c​​​​​​​, while in the 1st chord in bar 339, violins II, clarinets and oboe II have a f1(2) – is almost certainly completely erroneous. The traces visible in FE prove that those mistakes were originally committed in that edition, yet they were corrected in the last phase of proofreading.

category imprint: Differences between sources

issues: Authentic corrections of FE , Errors repeated in GE

b. 338-339

composition: Op. 11, Concerto in E minor, Mvt III

..

In bar 339, GE1 (→GE2) overlooked the dashes marking the range of crescendo. In GE3, the dashes were overlooked in both bars.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 340-342

composition: Op. 11, Concerto in E minor, Mvt III

..

GE overlooked the dashes marking the range of cresc. It is most probably an oversight of the engraver.

category imprint: Differences between sources

issues: Inaccuracies in GE