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b. 300-301
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources issues: GE revisions |
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b. 300-301
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composition: Op. 11, Concerto in E minor, Mvt III
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The staccato dots in GE3 are an arbitrary addition, probably moved from a few parts of the orchestral part of FEorch (→GEorch). category imprint: Differences between sources issues: GE revisions |
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b. 302-303
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composition: Op. 11, Concerto in E minor, Mvt III
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In this case, the staccato dots added in GE3 are partially justified – this is how three chords in bar 75 (counterpart of bar 303) are marked in FE. The reviser of GE3 was more zealous here than in bars 74-75, in which he left the last quaver in bar 75 without additions. category imprint: Differences between sources issues: GE revisions |
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b. 304-308
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composition: Op. 11, Concerto in E minor, Mvt III
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In this case, the staccato dots and accents added in GE3 in bars 304, 306 and 308 may be considered justified – they are authentic indications present in the R.H. in analogous bars 76, 78 and 80. category imprint: Differences between sources issues: GE revisions |
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b. 305-307
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composition: Op. 11, Concerto in E minor, Mvt III
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The unobvious use of the 1st finger on a black key (f category imprint: Differences between sources |
1) was indicated in