Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 24

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FED

Fingering written into FEH

No teaching fingering

Fingering based on FED in bar 32 & FEH

..

The fingerings entered into FED in this bar and in analogous bar 32 are generally consistent with the fingering entered into those bars in FEH – the only difference concerns  c​​​​​​​3. Due to this reason, in the main text we give a compilation of entries in bar 24 and 32 from both copies (cf. General Editorial Principlesp. 17).

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies , Annotations in FED , Differences in fingering , Annotations in FEH

b. 24-32

composition: Op. 11, Concerto in E minor, Mvt III

..

In the main text, we add a cautionary  before c​​​​​​​1 at the beginning of bar 24 and 32.

category imprint: Editorial revisions

b. 30

composition: Op. 11, Concerto in E minor, Mvt III

Slur from f​​​​​​​2 in FE (→EE,GE1GE2)

Slur from g​​​​​​​2 in GE3

..

According to us, it is highly likely that the differences in the placement of the beginning of the slur in this and analogous bars (bar 18, 22, 26, 53, 93, 273 and 281) are of accidental nature and do not signalise differences in performance intended by the composer. Due to this reason, in the main text we unify those slurs, considering the marks in bar 22, 26 and 53 to be most credible. An identical change was introduced in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 31-32

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering

..

It is more difficult to decipher the fingering of FEH here, since it was probably corrected. However, it was the fingering written in bars 23-24 that was most probably repeated here, except two overlooked digits.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 31-32

composition: Op. 11, Concerto in E minor, Mvt III

Slur in 2nd half of bar in FE (→EE,GE1GE2)

Slur to bar 32 in GE3

Whole-bar slur suggested by the editors

..

According to us, the missing slur over the 1st half of bar 31 is rather to be considered an inaccuracy, even if this was the notation of [A]. In this case, we take into account the slur in analogous bar 23 as well as the fact that among all appearances of that theme (excluding bars 320-327 due to their two part writing), the discussed place and bar 20 are the only groups of semiquavers containing more than two notes that were not encompassed with slurs.
​​​​​​​GE3 arbitrarily extended the slur to bar 32 (cf. bars 23-24). 

category imprint: Editorial revisions