b. 24
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composition: Op. 11, Concerto in E minor, Mvt III
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The fingerings entered into FED in this bar and in analogous bar 32 are generally consistent with the fingering entered into those bars in FEH – the only difference concerns c3. Due to this reason, in the main text we give a compilation of entries in bar 24 and 32 from both copies (cf. General Editorial Principles, p. 17). category imprint: Differences between sources; Editorial revisions issues: Annotations in teaching copies , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 24-32
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we add a cautionary before c1 at the beginning of bar 24 and 32. category imprint: Editorial revisions |
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b. 30
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composition: Op. 11, Concerto in E minor, Mvt III
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According to us, it is highly likely that the differences in the placement of the beginning of the slur in this and analogous bars (bar 18, 22, 26, 53, 93, 273 and 281) are of accidental nature and do not signalise differences in performance intended by the composer. Due to this reason, in the main text we unify those slurs, considering the marks in bar 22, 26 and 53 to be most credible. An identical change was introduced in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 31-32
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composition: Op. 11, Concerto in E minor, Mvt III
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It is more difficult to decipher the fingering of FEH here, since it was probably corrected. However, it was the fingering written in bars 23-24 that was most probably repeated here, except two overlooked digits. category imprint: Differences between sources |
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b. 31-32
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composition: Op. 11, Concerto in E minor, Mvt III
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According to us, the missing slur over the 1st half of bar 31 is rather to be considered an inaccuracy, even if this was the notation of [A]. In this case, we take into account the slur in analogous bar 23 as well as the fact that among all appearances of that theme (excluding bars 320-327 due to their two part writing), the discussed place and bar 20 are the only groups of semiquavers containing more than two notes that were not encompassed with slurs. category imprint: Editorial revisions |