Articulation, Accents, Hairpins
b. 367-368
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add staccato dots after analogous motifs in bars 363-364 and 39-44. category imprint: Editorial revisions |
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b. 372
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composition: Op. 11, Concerto in E minor, Mvt I
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The difference in the length of the accents in FE seems to be accidental – in bar 375, accents in a similar motif are all the same. Due to this reason, in the main text we give accents of the same length (short), just like in GE and EE. category imprint: issues: Long accents |
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b. 391
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composition: Op. 11, Concerto in E minor, Mvt I
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It seems to be impossible to decide whether Chopin meant here a staccato dot (like in the next bars) or a wedge (like in the previous ones). The editors would often confuse these marks; it is also difficult to differentiate between them in the Chopinesque autographs. In the main text we give a dot, since FE is the only edition based directly on [A]. category imprint: Differences between sources issues: GE revisions , Wedges |
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b. 391
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composition: Op. 11, Concerto in E minor, Mvt I
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In EE2 (→EE3), there is no wedge next to the 1st quaver of the bar. It must be an accidental oversight, a side effect of the arbitrary change of pitch of that note – see the adjacent note. category imprint: Differences between sources issues: Errors in EE |
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b. 393
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing in GE could be explained by the possibility that the mark was added in the last proofreading of FE; however, the additional absence of the slur in the L.H. in this bar makes a possible inadvertence of the engraver of GE more likely; the engraver overlooked a certain stage of work here – the elements between the staves, unrelated to the particular notes. See also bar 394. category imprint: Differences between sources issues: Errors in GE |