Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Articulation, Accents, Hairpins
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Articulation, Accents, Hairpins

b. 6

composition: Op. 11, Concerto in E minor, Mvt I

No marks in Atut

Wedges in FE (→GE,EE)

..

The wedges added in FE (→GE,EE) most probably result from Chopin's proofreading.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 8

composition: Op. 11, Concerto in E minor, Mvt I

Accent in Atut

No mark in FE (→GE,EE)

..

We consider the missing accent in FE (→GE,EE) to be the engraver's oversight.

category imprint: Differences between sources

issues: Errors in FE

b. 16-17

composition: Op. 11, Concerto in E minor, Mvt I

No marks in Atut

Staccato dots in FE (→GE,EE)

..

The staccato dots over the octaves in the L.H. is almost certainly a result of Chopin's proofreading in FE (→GE,EE). Cf. bars 20-22.

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 18

composition: Op. 11, Concerto in E minor, Mvt I

Long accent in FE (→GE)

Short accent in EE

..

EE has a short accent here, contrarily to FE (→GE) and analogous bars.

category imprint: Differences between sources

issues: Long accents , EE inaccuracies

b. 19

composition: Op. 11, Concerto in E minor, Mvt I

Accent in FE (→EE)

No mark in GE

..

The accent in GE was probably overlooked. 

category imprint: Differences between sources

issues: Errors in GE