Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 11, Concerto in E minor, Mvt I
It seems to be impossible to decide whether Chopin meant here a staccato dot (like in the next bars) or a wedge (like in the previous ones). The editors would often confuse these marks; it is also difficult to differentiate between them in the Chopinesque autographs. In the main text we give a dot, since FE is the only edition based directly on [A].
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions, Wedges
notation: Articulation, Accents, Hairpins
