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b. 536-537

composition: Op. 11, Concerto in E minor, Mvt I

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In the main text, we add a cautionary ​​​​​​​ before the d2 grace note in bar 536 and another one before the c2 grace note in bar 537.

category imprint: Editorial revisions

b. 536

composition: Op. 11, Concerto in E minor, Mvt I

..

Like in bar 181, Chopin wrote down sustention of b in a simplified manner, adding an additional crotchet stem and extending dot to the 4th semiquaver. In the main text, we give a more accurate notation, used by Chopin in all analogous places.

category imprint: Editorial revisions

b. 536-537

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

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The fingering of FEH in bar 536 repeats indications of analogous bar 181. In turn, in FEH the figure from bar 537 was not provided with fingering in exposition; the digits written in the discussed bar are totally compliant with Fontana's fingering in EE in bar 182. 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 537

composition: Op. 11, Concerto in E minor, Mvt I

b repeated in FE

b tied in GE1 (→GE2) & EE

b tied & augmented in GE3

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The version of FE is almost certainly erroneous – cf. all the remaining analogous figures. Both in GE and EE, the tie of b was added, yet only GE3 added a dot extending this note.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Errors resulting from corrections , GE revisions , Authentic corrections of FE

b. 537-538

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH