b. 543
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing marking of the top voice is obviously an inaccuracy of notation. In FE, the slur, placed high above that figure, suggests that stems and beam were planned here, but were overlooked by the engraver, perhaps due to the need to correct an erroneous note (one can see traces of removal of d3 at the beginning of the 3rd beat of the bar). The top voice was completed in GE3. category imprint: Differences between sources; Editorial revisions issues: Errors in FE , Terzverschreibung error , GE revisions , Authentic corrections of FE |
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b. 543-544
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composition: Op. 11, Concerto in E minor, Mvt I
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In the majority of the editions, the ending of the slur is inaccurate – in all remaining analogous figures, the slurs reach the crotchet that ends the move. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 544-545
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add cautionary naturals before the a2 grace note in bar 544 and the first g2 grace note in bar 545. category imprint: Editorial revisions |
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b. 544
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources |
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b. 546-547
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composition: Op. 11, Concerto in E minor, Mvt I
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The slurs of FE (→EE), longer than in the vast majority of the remaining similar figures, are most probably inaccurate. Shortening the first of them in GE1 (→GE2) also seems to be an inaccuracy – the reviser would have certainly shortened both slurs, like it was performed in GE3. We introduce the latter also in the main text. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Inaccuracies in GE , GE revisions |