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b. 417-418
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composition: Op. 11, Concerto in E minor, Mvt I
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According to us, the fingering of the ending of this bar given only by Fontana differs from the one resulting from the digits written before in FEH – the absence of further indications suggests rather maintaining the hand position in that case, hence using the 3rd or 4th finger on f category imprint: Differences between sources issues: EE revisions |
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b. 417-419
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add cautionary naturals before d2 in bar 417 and e3 in bars 419-420. category imprint: Editorial revisions |
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b. 417-424
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composition: Op. 11, Concerto in E minor, Mvt I
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Shortening the slurs so that they do not encompass the quavers ending the phrases in bars 418, 420, 422 and 424 is a part of far-reaching, arbitrary measures undertaken in GE3 aimed at unifying the slurring and other articulation markings in the figurational section of the development. In the discussed fragment, they also consisted in adding staccato dots to the pairs of semiquavers, opening the phrases, and in adding slurs in the L.H. category imprint: Differences between sources issues: GE revisions |
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b. 418-419
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering entered by Chopin in FED, in spite of the fact that it applies to the first two semiquavers only, determines the position of fingers in the next figures and, consequently, also in the further part of the phrase. Therefore, this entry most probably indicates the same fingering that Fontana gave in EE and that was written in FEH (probably on the basis of a lesson with Chopin). As the fingering of the basic figures of this fragment was defined already in bar 416, in this case in the main text we include only the entry in FED. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FEH |
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b. 418-420
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composition: Op. 11, Concerto in E minor, Mvt I
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In bars 418-419 and 420, Fontana recalls the fingering scheme of a characteristic figure in the L.H., marked in EE already in the previous phrase. category imprint: Differences between sources issues: EE revisions |
1 and the 1st on c
