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b. 414

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No teaching fingering

..

The digit 5, written in FEH, indicates a fingering corresponding to the articulation of the accompanying crotchets intended by Chopin – see the adjacent note.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 414

composition: Op. 11, Concerto in E minor, Mvt I

Wedge in FE (→EE,GE1GE2)

No mark in FEH & GE3

..

According to us, the articulation markings, i.e. the wedge on the 3rd beat of the bar and the slur, are wrong in the majority of the sources. It is indicated by a comparison with analogous bars 410 and 438, in which it is the bass note on the 2nd beat of the bar that is provided with a staccato mark, whereas the slur encompasses the next two crotchets. The scheme of the accompaniment, in which, after the detached bass note, generally sustained with pedal, the hand moves to the chord position (often broken or repeated) is one of Chopin's favourite procedures. The wedge was crossed out in FEH, in which a fingering was also added; a fingering that confirms the articulation markings we adopted. The entries were probably performed during lessons with Chopin or on the basis thereof. 

category imprint: Differences between sources

issues: Annotations in teaching copies , GE revisions , Annotations in FEH

b. 414-415

composition: Op. 11, Concerto in E minor, Mvt I

Slur from D in FE (→EE,GE1GE2)

Slur from d in GE3

..

The slur of the majority of the editions is most probably inaccurate; therefore, in the main text, we write it from the 3rd beat of the bar, as in analogous bars 410 and 438.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 414-415

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

Fingering written into FEH

..

The fingering of EE differs from the one written in FEH only in the repetition of indications, i.e. in a simplified, "reminding" form, in subsequent analogous figures.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 414

composition: Op. 11, Concerto in E minor, Mvt I

..

The inaccurately reproduced staccato mark in GE1 (→GE2), dot instead of wedge, was restored in GE3, probably after the base text or an analogy.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions