b. 185-186
|
composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
|||||||||||
b. 186-190
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In the sources, a cautionary was repeated before the 2nd grace note in bar 186, which, according to us, is not necessary. In bar 190 in FE (→EE), there are no naturals before any of the grace notes, which the engraver of GE considered to be an inaccuracy requiring an intervention. In the main text, we suggest naturals before the first grace note in each of these bars. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
|||||||||||
b. 186
|
composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
|||||||||||
b. 187-193
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In this context, the absence of pedalling markings undoubtedly indicates the use of the indications given in analogous figures in the previous bars, which is confirmed by the markings written by Chopin in the recapitulation (bars 542-547). category imprint: Editorial revisions |
|||||||||||
b. 187-191
|
composition: Op. 11, Concerto in E minor, Mvt I
..
Like at the beginning of this section (bar 179), Fontana's fingering coincides with the one indicated by Chopin during lessons. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FEH |