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b. 181-185
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana indicated the 4th finger on the 4th b semiquaver three times – in bars 181, 182 and 185. In the same place in bars 181 and 185, in FEH, the 3rd finger was marked (see also notes to bars 536-537 and 540). A possible authenticity of these divergent indications is uncertain. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |
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b. 181
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composition: Op. 11, Concerto in E minor, Mvt I
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The fact that b is to be held is marked in FE (→GE) through an additional stem and extending dot for the 4th semiquaver. In further bars, Chopin already applies the notation with tie; therefore, in the main text, we adopt this more exact notation also in this case (similarily in bar 537). In EE1 (→EE2), the note was not held, which was corrected in EE3, most probably on the basis of comparison with the respective bar of the recapitulation. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in EE |
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b. 181
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we suggest including the accent placed in the respective bar of the recapitulation (bar 536). category imprint: Editorial revisions |
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b. 181
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we omit the unjustified cautionary category imprint: Differences between sources |
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b. 181-182
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composition: Op. 11, Concerto in E minor, Mvt I
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The digit written over the d2 grace note in FEH does not determine the fingering of the 2nd beat of bar 182, so it is difficult to state whether the writing person (we do not think it was Chopin) envisioned there the fingering indicated by Fontana in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
before f
1.
