Articulation, Accents, Hairpins
|
b. 54
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
The sign that was clearly a wedge in A was replaced with a dot. category imprint: Differences between sources issues: Inaccuracies in GE |
|||||
|
b. 54
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
A trace of the pen visible in A over the third g flat2-b flat2 beginning the second part of the bar may be interpreted as a wedge. However, the sign is so illegible that, following the first editions, we omit it from the text. category imprint: Graphic ambiguousness |
|||||
|
b. 55
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
A missing dot over the 1st semiquaver of the 2nd half of the bar is probably due to oversight of the engraver of FE (→EE). category imprint: Differences between sources issues: Inaccuracies in FE |
|||||
|
b. 55
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
In GE, due to lack of free space between the staves, the category imprint: Source & stylistic information issues: Authentic corrections of FE |
|||||
|
b. 55
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
In EE, accents were arbitrarily added at the beginning of the bar and under the first semiquaver of the triplet on the 3rd quaver of the bar. The reason for that revision was probably to make the markings similar to those in analogous bar 15. category imprint: Differences between sources issues: EE revisions |
mark was placed partly between the highest notes of the left hand. Because of that, in 
