Articulation, Accents, Hairpins
b. 70
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composition: Op. 27 No 2, Nocturne in D♭ major
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The hairpins in A only relate to the ascending part of the semiquaver motif. The hairpins in GE, extended to the very end of the bar, give a definitely different suggestion for phrasing. The mark was omitted from FE (→EE), most probably by mistake. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE |
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b. 75
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composition: Op. 27 No 2, Nocturne in D♭ major
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Erasures visible in A over the R.H. part seem to confirm that Chopin removed the earlier markings, including staccato dots over each one of the sixths and two half-bar slurs. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Triplet slurs |