b. 63-64
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composition: Op. 27 No 2, Nocturne in D♭ major
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In FE (→EE) the dashes defining the extent of the diminuendo were omitted. This is the inaccuracy very often found in Chopin editions of M. Schlesinger. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 64
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composition: Op. 27 No 2, Nocturne in D♭ major
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Absence of an accent in A (→GE→FE) in the last one of the 5 analogous motifs may be regarded either an inaccuracy or a nuance connecting the motif accentuation with the diminuendo. In our opinion the first option is more probable, and therefore we suggest supplementing that sign. The accent was already added in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 64
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composition: Op. 27 No 2, Nocturne in D♭ major
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A has no flats before the last notes of both hands which, given the presence of naturals in the 1st half of the bar, results in e2 and e. There are many arguments pointing to the conclusion that the omission of those flats by Chopin was an oversight. The flat restoring e flat2 was added in GE (→FE→EE), perhaps on the composer's request. We add the necessary restoring e flat; that sign was also supplemented in GE2. category imprint: Differences between sources; Editorial revisions issues: Omissions to cancel alteration , GE revisions , Authentic corrections of GE |
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b. 64
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composition: Op. 27 No 2, Nocturne in D♭ major
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In FE (→EE) a cautionary was added before d flat1, probably requested by Chopin. Bar 68 was supplemented in the same manner. category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 65
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources issues: Errors in GE |