b. 60
|
composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources issues: Inaccuracies in GE |
|||||
b. 60
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
When read literally, the slur in A begins from the 2nd note of the run. However, we think the notation is inaccurate here - the end of that slur is definitely moved to the right. The composer intended the slur to begin from the first sustained note, and this is how it was understood in GE (→FE→EE). category imprint: Graphic ambiguousness issues: Inaccurate slurs in A |
|||||
b. 60
|
composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources issues: Errors in EE |
|||||
b. 60
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
The in A is written on the lower staff, so it clearly relates to A flat1 of the L.H. In GE (→FE→EE) the marking is placed higher, between the staves, so it is not clear what it applies to. In the main text we preserve the notation of A, as in GE there are no signs that the marking was moved. category imprint: Differences between sources issues: Inaccuracies in GE |
|||||
b. 60
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
When read literally, the slur in A begins on the 3rd semiquaver; what is more, it is not quite certain where it should end. The slur in GE (→FE→EE) is, in our opinion, the correct manner of interpretation of the notation of A, which may be due to Chopin's intervention. category imprint: Graphic ambiguousness; Interpretations within context |