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b. 67-72

composition: Op. 22, Andante spianato

Different accents in FE

Long accents in GE

Short accents in EE & GE2 (→GE3)

..

The accents in b. 67 and 70 are slightly longer in FE than those in b. 68-69 and 71-72. According to us, it may mean that a similar difference was present in [A]. As a result, in the main text we reproduce them as long and short accents, respectively. In GE1 there are no noticeable differences in length between the accents – all marks are of the same size as the majority of the accents in the previous section – hence we give them the form of long accents, just like there. Taking into account the fact that except for the last mark in b. 78 and 90 all accents in this section concern either longer rhythmic values (at least minims) or short motifs, within which a resolution of a dissonance occurs, the version with long accents only can be considered an equivalent variant. In EE and GE2 (→GE3) there are short accents only.

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents , EE inaccuracies

b. 67

composition: Op. 22, Andante spianato

No indication in FE (→GE)

dolce in EE

..

The presence of dolce in EE may be explained by a revision, in this case not based on a comparison with an analogous place. It is also likely that it is an authentic, earlier indication, removed in FE (→EE) in the last phase of proofreading.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 68-96

composition: Op. 22, Andante spianato

..

EE added cautionary sharps before the f notes in b. 68, 71, 80, 92 and 95 and f1 in b. 69, 72, 81, 84, 93 and 96. The reviser could have considered the C major chords opening subsequent phrases to create an illusion of the C major key, of which he could have been convinced by the Chopinesque sharps before f in b. 78 and 83.

category imprint: Differences between sources

issues: EE revisions

b. 72-73

composition: Op. 22, Andante spianato

Slur to bar 73 in FE (→GE)

Slur to end of bar 72 in EE

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In FE (→GE) the slur led as far as to b. 73 must be an inaccuracy of the engraver, perhaps provoked by careless notation of [A]. In EE the slur was shortened in accordance with the musical sense and the analogous situation in b. 84-85.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in FE

b. 73-75

composition: Op. 22, Andante spianato

5 short accents in FE & EE2 (literal reading) & GE2 (→GE3)

Short accents in FE, contextual interpretation

5 long accents in GE1, literal reading

5 long accents in GE1, contextual interpretation

4 short accents in EE1

..

Due to a possible presence of long accents in b. 67 and 70 in FE, we interpret the remaining marks in this section as short accents. We interpret all accents in GE1 as long, just like before. Here and in the entire Semplice EE and later GE include short accents only. The missing bottom accent in b. 75 in EE1 is probably a revision, withdrawn in EE2.
We modify the placement of the accents in b. 73-74 on the basis of a comparison with b. 75 and 85-86.

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents