Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 21, Concerto in F minor, Mvt III
Sources
- Semi-autograph
- Autograph of the piano part
- Manuscript of the orchestra part
- German edition
- First German edition
- Retouched impression of GE1
- Second German edition
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- English edition
- First English edition
- Revised impression of EE1
- Corrected impression of EE2
GE1a - Retouched impression of GE1
| Publisher: | Breitkopf & Härtel |
| Date: | 1841⇒ |
| Plate number: | 5654 |
| Title: | Second Concerto |
| Dedication: | Madame la Comtesse Delphine Potocka née de Komar |
Later impressions of GE1, in which minor retouches of mainly graphic nature were gradually being introduced (see the characterization of GE1a in the 1st mov. of the Concerto). Due to the engravers' inadvertence, some of the changes led to undesirable alterations in the text, e.g. the 
sign and the long accent were overlooked at the end of p. 29 in bar 235, whereas in bar 236 – dots marking the range of the octave sign. In the copies that are later than the one presented in our system*, this kind of retouches were introduced also on p. 25 (without essential defects) and 28, where the slur in bar 206 was erroneously shortened.
* e.g. a copy the University of Chicago Library, available online.
| Original in: | Jan Ekier private collection, Warsaw |
| Shelf-mark: | II.3 |