Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 21, Concerto in F minor, Mvt III
Sources
- Semi-autograph
- Autograph of the piano part
- Manuscript of the orchestra part
- German edition
- First German edition
- Retouched impression of GE1
- Second German edition
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- English edition
- First English edition
- Revised impression of EE1
- Corrected impression of EE2
Morch - Manuscript of the orchestra part
| Date: | X 1835 – II 1836 |
| Title: | Second Concerto |
| Dedication: | Madame la Comtesse Delphine Potocka née de Komar |
The parts of the orchestral instruments of ½A are not written by Chopin, hence they had to be copied from an earlier notation. According to us, it is [SI] that is the most likely contender – a lost manuscript of the Concerto's score, created probably at the beginning of 1830 (see the characterization of Morch in the 1st mov.).
Chopin did control Morch, although most probably at random. It is clearly evidenced by corrections in the parts of orchestral instruments written by his hand, e.g. in bars 317-318 (violin, viola).
Since the orchestral part of ½A has a marginal meaning at the time of determining the text of the solo part, we do not give here a transcript of Morch (the system displays the text of A) or a scan, because the photos of the entire ½A are presented as the scan of the source of A.
| Original in: | Biblioteka Narodowa, Warsaw |
| Shelf-mark: | Mus. 215 Cim. |